I Hate Hard Boiled Eggs
Lost time can be both satisfying and surprisingly flavorful, much like a perfectly boiled egg.
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Endless hours of boredom and solitude in a blue-walled room of a modest, sunlit apartment building in Toumba, Thessaloniki. A single cassette player, VHS tapes, and sheets of cardboard—the foundations of music, movies, and makeshift games. Imaginary friends, too; chief among them, E.T. the Extraterrestrial. With time, real friends entered the picture.
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From Chicago to Germany, Thessaloniki, Sarantaporo, Antiparos, Larissa, Athens. An existence woven between the art studios and dimly lit bars, repeating on a loop: late nights, music, abundant drinks, tables set for gatherings, and spontaneous dancing. Planned drinks or impromptu toasts. D.I.Y. grills and gourmet bites in rustic landscapes alongside late-night snacks on crumpled bed sheets.
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Metaphysical dreams so vivid they felt real. First encounters with UFOs at age seven; first brushes with love in the years that followed. And recurring encounters with both to this day.
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This book began in 2020, during the COVID lockdown. Out of boredom, I opened those countless boxes from Thessaloniki. Inside were empty, or nearly empty, diaries, analog photographs from family villages and vacations, a mountain of mini DV cassettes, scattered notes, and an abundance of free time. All these elements transformed the pleasure of boredom into this book, a tribute to that very sensation.
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"And we were never being boring
We had too much time to find for ourselves."
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— Pet Shop Boys, “Being Boring”
Marina Velisioti
Marina Velisioti born in Thessaloniki, Greece . Studied at the Department of Applied Arts at the School of Fine Arts in Thessaloniki.
After the graduation she attended a Fulbright Foundation seminar run by Glenn Lowry, director of MOMA, with the subject "Following the Modern: Thoughts on the Museum of Modern Art and the word of art today".
During her university studies she attended courses and seminars of scenography . Amongst her interests are video art applications and music themes of psychology, psychoacoustics and documentary. After MFA she studied in SEN-Heritage Looms, an association founded at the end of the 19th century in Athens with the purpose to educate young women.
A scholar of U.F.O's, monsters, sci-fi culture. In the last section of her works, Marina Velisioti has been producing a series of collages, tapestries, sculptures developing narratives inspired by ancient buildings, deserted or forgotten landscapes,motifs symbols, over which I collide with the most prominent technique, turning them into astonishing, unrealistic universes, often with a playful mood.
She is the founder and editor of the art zine Bebabebo till 2013. She has been awarded the Stavros Niarchos Foundation Artist Fellowship by ARTWORKS (2022).
Selected Exhibitions:
2023 Outraged by pleasure, Nobel Building, Athens
2023 Turkish Textile Biennial, Izmir
2023 Selasforos, Anoixta Pania, Chania, Crete
2022 Sheltered Gardens, A Commision by PCAI Polygreen, Diomedes Botanical Garden, Athens
2021 Thessaloniki Film Festival, The Rules of The Game, Thessaloniki Harbor
2021 Head2Head, A project by A-dash, Athens and Kling&bang, Reykjavik
2020 Cra(u)sh or How to make me kiss the Pavement, Group show, Grace, Athens
2019 ΗΛΕΚΡΙΣ / How to think like a mountain, Samothraki, Greece
2018 Matter Over Matter, Goethe Institut, Sofia, Bulgaria
2018 Suddenly There's A Valley, In situ Installation, Dimitra Danika hair salon, Athens
2017 Landscape Revisited, group exhibition, Elika Gallery, Athens
2014 Nature Immortelle, Solo Show, Romantso, Athens